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Letras Beatles For Sale Foreward - The Beatles - Rock Letra

Datos de The Beatles Integrantes anteriores: John Lennon †, Paul McCartney, George Harrison †, Ringo StarrNombre Artístico: The BeatlesDonde Se Fundó: Liverpool, InglaterraNacionalidad: BritánicaGénero(s): RockActividad: 1960 - 1970Instrumentos: VozOcupación: CantantesDisquera(s): Parlophone (GBR), Capitol Records (USA), Apple RecordsPágina Oficial: www.beatles.comRedes Sociales:Facebook, Instagram, Twitter, YouTube .'
'. ¿Quién es The Beatles? The Beatles fue una banda de rock inglesa activa durante la década de 1960. Fue formada en Liverpool, estuvo constituida desde 1962 por John Lennon (guitarra rítmica, vocalista), Paul McCartney (bajo, vocalista), George Harrison (guitarra solista, vocalista) y Ringo Starr (batería, vocalista). La naturaleza de su enorme popularidad, que había emergido primeramente con la moda de la Beatlemanía, se transformó al tiempo que sus composiciones se volvieron más sofisticadas. Llegaron a ser percibidos como la encarnación de los ideales progresistas, extendiendo su influencia en las revoluciones sociales y culturales de la década de 1960. "Sutcliffe" abandonó la formación en 1961, y Best fue reemplazado por Starr al año siguiente. Después, todos sus integrantes se embarcaron en exitosas carreras independientes. Lennon sería asesinado a las afueras de su casa de Nueva York en 1980, y Harrison fallecería de cáncer en 2001. McCartney y Starr aún permanecen activos. El icónico logotipo de The Beatles con la letra “T” alargada hacia abajo hizo su debut en 1963, cuando fue utilizado por primera vez al frente de la batería de Starr, que Epstein y Starr compraron en una tienda de Londres, esto en pro de enfatizar la palabra Ver BiograFia Completa

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INICIO The Beatles Beatles For Sale Foreward

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Beatles For Sale Foreward - The Beatles 1 2:17

The Beatles - Beatles For Sale Foreward Lyrics

This is the fourth by the four. 'Please, Please Me', 'With The Beatles', 'Hard Day's Night'. That's three. Now...'Beatles For Sale'.

The young men themselves aren't for sale. Money, noisy though it is, doesn't talk that loud. But you can buy this album - you probably have, unless you're just browsing, in which case don't leave any dirty fingerprints on the sleeve!

It isn't all currency or current though. There's priceless history between the covers. None of us is getting any younger. When, in a generation or so, a radio-active, cigar-smoking child, picnicking on Saturn, asks you what The Beatles affair was all about - ;Did you actually know them?'- don't try to explain all about the long hair and the screams! Just play the child a few tracks from this album and he'll probably understand what it is all about. The kids of AD 2000 will draw from this music much the sam sense of well being and warmth we do today.

For the magic of The Beatles is, I suspect, timeless and ageless. It has broken all frontiers and barriers. It has cut through differences of race, age, and class. It is adored by the world.

This album has some lovely samples of Beatles music. It has, for instance, eight new titles wrought by the incomparable John Lennon and Paul Mccartney, and mingling with the new, there are six numbers culled from the rhythmic wealth of the past extraordinary decade; pieces like Kansas City, and Rock and Roll Music. Marvelous.

Many hours and hard day's nights of devoted industry went into the production of this album. It isn't a potboiling quick-sale any-old-thing-will-do-for-christmas mixture.

At least three of the Lennon-Mccartney songs were seriously considered as single releases until John popped up with I Feel Fine. These three were Eight Days A Week, No Reply and I'm A Loser. Each would have topped the charts, but as it is they are an adornment to this LP, and a lesson to other artists. As on other albums, The Beatles have tossed in far more value than the market usually demands.

There are few gimmicks or recording tricks, though for effect, The Beatles and their recording manager George Martin have slipped in some novelties. Like Paul on Hammond organ to introduce drama into Mr. Moonlight, which also, and for the first time, has George Harrison applying a thump to an elderly African drum because Ringo was busy elsewhere in the studio, playing bongos. George's thump remains on the track. The bongos were later dropped. Ringo plays timpani in Every Little Thing, and on the Rock and Roll Music track George Martin joins John and Paul on one piano. On Words of Love, Ringo plays a packing case.

Beyond this, it is a straightforward 1964 disc-making. Quite the best of it's kind in the world. There is little or nothing on the album that cannot be reproduced on stage, which is, as students and critics of pop-music know, not always the case.

Here it is then. The best album yet-quite definitely, says John, Paul, George, and Ringo-full of everything which made the four the biggest attraction the world has ever known. Full of raw John and Melodic Paul; a number from George, and a bonus from Ringo. For those who like to know who does exactly what, there are details alongside each title.

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